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She told the Holocaust survivor and war crimes vigilante (“I don’t do this for money,” said Goodman, a veritable superhero) about her suspicion that Dr. Inside Sam’s place, the camera panned back between Judy and Goodman in the flesh, and Judy and Goodman reflected in different vanity mirrors. Little Red Riding Hood, meeting with The Huntsman, about a certain Big Bad Wolf. She was on a secret mission to consult with underground Nazi hunter Sam Goodman. She was examining her crimson kerchief bonnet in the vanity mirror, one of many such looking glasses in the episode. We opened on Sister Jude, sitting in her car, out of “costume,” as Dr. To quote Charlotte Perkins Gillman, whose short story “ The Yellow Wallpaper” was cited in last year’s “ Rubber Man” episode (Moira! Miss you!) and echoed loudly in Charlotte Brown’s tale: “Here she comes, running out of prison and off the pedestal chains off, crown off, halo off, just a live woman.” How genius was the scene with Mary-liberated Shelley, boiled and dismembered, pulling herself up those schoolyard stairs, as if climbing out of the pit of Hades.
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She was a monstrous Fury, set loose by a lady Lucifer, a spirit of We’re Not Gonna Take It Anymore! vengeance, unleashed by a certifiably Twisted Sister.
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Oliver Thredson - was encoded with a cultural genealogy of Men Who Hate Women spectacle, implicitly quoting Ilse Koch, Ed Gein, Ted Bundy, The Texas Chainsaw Massacre, The Silence of the Lambs, and The Girl With The Dragon Tattoo.Īmid the wreckage of female destruction, there was hope, albeit ironic, even hideous. The Hitchcock-taut set piece that concluded the outing – which revealed that Bloody Face (circa ’64) was Dr. As usual, the episode was a dark mirror to the dark stories that fill our culture, fictional and otherwise, including racism, homophobia, and misogyny. The second part of “I Am Anne Frank” was one goosestep forward for the wolfish Mad Men of Briarcliff Manor Sanatorium, one giant leap backward for women and their fight for self-determination. Grace lost control of her body, and then her voice, while “Anne Frank,” married name Charlotte Brown, born Charlotte Cohen, lost her mind and all of her identities.